A crime thriller set in the 1800s is always a plot that gets your attention. Add to that Christian Bale, beautiful winter visuals and eerie ritualistic motivations, and you’ll ask aur kya chahiye??? That was exactly my reaction when I first watched the trailer of ‘The Pale Blue Eye’. Scott Cooper promises us a historical murder mystery spiced up with a touch of Edgar Allan Poe in ‘The Pale Blue Eye’. But, mystery enthusiasts and die-hard Poe fans are left with a bittersweet feeling because the film fails to fully realize its potential and leaves us yearning for a raven to guide us out of disappointment.
Plot
Imagine 1830: retired detective Augustus Landor (played by Christian Bale, who now has a PhD in the ‘brooding detective’ look) gets a peculiar invite to West Point Military Academy. What’s the deal? A cadet’s body has been mutilated in a freaky ritual, and Landor’s supposed to figure it out. Landor enlists the help of Edgar Allan Poe (Harry Melling), a cadet with poetic tendencies and a penchant for solving dark puzzles. What follows is a freaking mess of secrets, disappearances, and the occasional sacrificed farm animal – yup, things get wild. Satanic cults, bullies, and even coughing tubercular young ladies (????) are thrown into the mix. So far, so good. Bass jitni badhiya story thi, utna hi zyada commit bhi karte toh maza aajata.
Performances
Alright, let’s give credit where it’s due. Christian Bale‘s got that rugged detective thing down pat – think moody brooding with a hint of “I’ve seen too much.” Remember, he is widower whose daughter is missing, and that adds another layer to Landor’s character. Harry Melling‘s Poe is an absolute treat – dreamy, melancholic, and ready to decode mysteries. He is POEtic (I’m sorry for the horrible pun) and his knack of following his intuitions is what makes the character a treat to watch. But wait, there’s more! Gillian Anderson, Toby Jones, and Robert Duvall deliver memorable performances and add layers to this puzzle. All in all, the film’s strong point lies in the performances of its cast.
Direction and Writing
Director Scott Cooper, known for his rugged, western genre movies, tackles historical mystery this time. And let’s be real, his direction creates a visually arresting atmosphere for a captivating murder mystery. Frozen landscapes? Check. Eerie atmosphere? Double-check. But – and there’s always a but – while the film flirts with a certain required gruesomeness, it doesn’t quite commit to it. And that’s my the biggest regret from this movie. It’s like a date with a vampire who’s afraid of blood. Cooper’s got the chops, but the film sometimes treads on the edge of “wait, really?” His rather careful approch hampers the credibility of the narrative. It’s like there’s a bowl of Maggi in front of you, but you are forbidden to eat it.
Screenplay and Cinematography
The script’s like a jigsaw puzzle – it sets the pieces, but sometimes struggles to fit them just right. The dialogues capture the tension and intrigue of the investigation, and Poe’s sharp, intuitive mind shines through his interactions. As for the visuals, kudos to Masanobu Takayanagi’s cinematography – capturing frozen beauty and eerie vibes so beautifully. Howard Shore’s music adds to the rollercoaster with tunes that alternate between tense and lush, adding a layer to the whole narrative. Ye movie basically wo restaurant hai, jiski ambience toh 10/10 hai, but the food is not up to the mark. You get me, right?
So, overall dekha jaye toh “The Pale Blue Eye” packs some punches, no doubt. Christian Bale and Harry Melling do a killer job (pun intended), and the movie’s got moments that’ll make you lean in closer. But is it the full-throttle Poe-inspired masterpiece we hoped for? Not quite. While the movie flirts with the dark and macabre, it occasionally dials back, leaving you with a taste of unfulfilled promise. It is a decent one time watch, but if you’re looking for a deep dive into the world of Poe, this might not be your go-to. Instead, consider cozying up with Poe’s original tales or exploring other adaptations that better capture his chilling essence.